NEW YORK, Nov. 10, 2026 (GLOBE NEWSWIRE) -- Globaledit, the creative production platform used by Netflix, Warner Bros., New Balance, Tiffany & Co., and L'Oréal, today launched the Globaledit …
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NEW YORK, Nov. 10, 2026 (GLOBE NEWSWIRE) -- Globaledit, the creative production platform used by Netflix, Warner Bros., New Balance, Tiffany & Co., and L'Oréal, today launched the Globaledit Brand Protection System, the industry's first enterprise workflow system for content provenance and AI disclosure. Large brands have relied on a patchwork of point solutions that were not built for the scale, governance, and approvals of enterprise content operations. Globaledit brings provenance, disclosure, and compliance into one workflow teams can use every day. The first release, the Globaledit Provenance Suite, supports the C2PA (Coalition for Content Provenance and Authenticity) standard. It shows where each asset came from, how it may have changed, and how AI was involved.
No brand has an easy way to see how its content was made. Assets arrive from thousands of sources, including agencies, vendors, creators, and influencers, and AI can enter at any point along the way. That blind spot is now a legal exposure as well as an operational one.
The pressure is also coming from outside. AI tools have generated more than 15 billion images in about 18 months, roughly what photographers captured in the first 149 years of photography. Regulators are responding: the EU AI Act and California's AI Transparency Act both took effect this year, with financial penalties for noncompliance. Brands, publishers, and agencies now have to prove where their images came from and how they were made, and they can't do that without knowing what is in their content.
The Provenance Suite closes that gap. It gives brands a verifiable record of each asset's history and the tools to act on it. Unverified and noncompliant AI content stays out of campaigns, and teams can keep publishing with confidence.
"Content becomes a liability when brands can't see what is in it," said Steve Kalalian, CEO of Globaledit. "Compliance depends on knowing an asset's origin, and verification is how you get there. The Provenance Suite gives every user a clear view of an asset's manifest, including its source and edit history, in a form that is easy to read and act on. That is how enterprise brands stay compliant and put AI to work."
"All brands can face legal, compliance, and reputational risks associated with content authorship and distribution," said Eli Kowalski, Director, Editorial Content Operations at Shutterstock. "It's important to have a way to see where an asset came from, who created it, and how it's been altered. Globaledit's Provenance solution does that work so users don't have to.”
"The conversation has moved from whether content authenticity will work to when and how to adopt it," said Dan Dzuban, Vice Chair of C2PA and Head of Strategic Partners, Content Authenticity at Sony Electronics. “Integrating provenance throughout workflows can further enhance the trust and value of content. Standards like C2PA Content Credentials help brands put that into practice."
What the Globaledit Provenance Suite Does
The suite gives teams a clear summary of each asset:
The Provenance Suite is the first release in the Globaledit Brand Protection System. More capabilities will follow in early 2027.
To learn more, visit globaledit.com/provenance-suite.
Frequently Asked Questions
About Globaledit
Globaledit is the leading content workflow platform for creative, marketing, and digital teams, powering production from capture to distribution. Top brands including New Balance, Warner Bros., Netflix, L’Oréal, and Tiffany & Co. rely on Globaledit to create, review, and deliver exceptional content at scale faster and more securely. With AI-powered tools and extensive integrations, Globaledit gives enterprises, teams, and individual contributors one place to run creative production. Globaledit is headquartered in New York City and is part of the CoCreativ family of companies. Learn more at globaledit.com.
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